Current News

The Minneapolis based Producer,Mixer, Engineer is currently working with Verve artist Ondara on his new album

Nettwerk act Morningsiders are in the studio recording an EP with Producer Peter Katis

Worlds End client Michael Patterson has mixed the score to the American Crime thriller ‘No Sudden Move’

Mixer Tim Palmer Studio memories of the Pearl Jam sessions

Canadian band Wild Rivers are now finishing recording their new album with producer Peter Katis. The album was delayed by Covid pandemic

The Nancy album ‘The Seven foot tall post-suicidal feel good blues’ was mixed by Worlds End client Tom Biller

Stephen Lipson recalls a Jamie Cullum session in New Zealand

Worlds End client Ted Hutt has produced the new Dropkick Murphys track ‘I wish you were here’

Long time Worlds End client Tim Palmer mixed Pearl Jam’s ‘Ten’ which has just been inducted into Grammy’s ‘Hall of Fame’

Stephen Lipson has mixed the soundtrack to Top Gun:Maverick

Nick Launay & Adam ‘Atom’ Greenspan will produce a new Bloc Party album starting in early 2021

Nick Launay & Adam ‘Atom’ Greenspan Produce,Recorded & Mixed the track

I’m aware that their music is deeply loved but quite honestly I have a love hate thing with the Rolling Stones

Worlds End client Stephen Lipson is mixing the score of Boss Baby 2:Family Business, the movie is released Spring 2021

Worlds End client Michael Patterson is mixing Brand New Heartache’s new EP

Stephen Lipson co-produced with Finneas ‘No time to die’ nominated for Best song written for visual media.

Guiness have used The Riptide Movement’s ‘Turn on the lights’ for their Christmas advert. The track was produced by Ted Hutt

Thomas Dolby completely floored me with The Golden Age of Wireless. I listened to it endlessly, trying to figure out his techniques. Radio Silence, Airwaves, Europa and the Pirate Twins, Windpower, all brimming with brilliance, so ahead of its time. There was also a song on Aliens Ate My Buick called The Key To Her Ferrari which has so many great ideas packed into one song.

There was a song that didn’t make it onto Diva called Step By Step. We worked long and hard but whatever we did didn’t seem to give it the right tone for the album. Someone, possibly Annie, had the idea of sending it to Clive Davis with a view to Whitney Houston recording it. It was deemed to be a good idea and could even work in the movie she was making, The Preacher’s Wife. As I’d produced the track up to this point it was agreed that I’d continue working on it with Whitney.

LARRY KLEIN has produced a new album with Sharon Corr release information will be announced shortly

Spin Magazine article about ‘The Bubble’ Worlds End producer Chris ‘Frenchie’ Smith’s studio in Austin TX

One of the significant people in my life is Trevor Horn. I was asked to engineer for him for a couple of days on a project that turned out to be Frankie Goes To Hollywood. I wasn’t all that interested in going at the time. I’ve never considered myself to be an engineer, it’s only ever been a means to an end. But I needed the money so I accepted, and 2 days turned into 6 years.

Ted Hutt is producing a new single with The Walker Roaders

Throughout my working career, with two notable exceptions (one good, one bad), I’ve never worked for the money. This was a conscious decision I made when I was young and completely broke. Not because I didn’t need the money, but because I felt that if I was good enough the money would take care of itself. Naive and idealistic possibly, but had money been my motivation I’d have picked a more lucrative path. My remuneration has never played any part in the effort I’ve put in to a project. The only limiting factor has been time. So far this formula has served me well.